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Shakespeare's Globe

Sam Wanamaker‟s vision for the Globe extended beyond the “wooden-O” – one of the most iconic and atmospheric performance spaces in London. In addition to a purpose-built education centre, he also intended there to be a second indoor theatre space – the skin of which was incorporated into the blueprint of the Globe complex. When Shakespeare‟s Globe finally opened in 1997 after more than 27 years‟ planning and four years‟ construction, the indoor Jacobean theatre was left as a shell, to be divided and partitioned into rooms for education workshops and rehearsals. Now, 14 years after the theatre opened, the Globe is about to embark on the restoration of this indoor theatre to its intended purpose, with a stunning new interior.

Some of Shakespeare‟s greatest plays – The Tempest, Cymbeline and The Winter’s Tale – were written for an entirely different space to the outdoor Elizabethan playhouses. By restoring the indoor Jacobean theatre to its intended purpose, the Globe will be able to further its understanding of theatre practices at that time and explore the unique relationship between actor and audience in England‟s earliest indoor theatres.

  • Architech Drawing: The Sam Wanamaker Theatre 003

    Allies & Morrison

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  • Architect Drawing: The Sam Wanamaker Theatre 001

    Allies & Morrison

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  • Architect Drawing: The Sam Wanamaker Theatre 002

    Allies & Morrison

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  • Entry Level of new Foyer 004

    CGI by Allies & Morrison

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  • Foyer before redevelopment 001

    Pete Le May

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  • Front Elevation of new Foyer 005

    CGI by Allies & Morrison

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  • Indoor Jacobean Theatre exterior

    Nick Robins

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  • Interior from Lower Gallery 003

    CGI by Allies & Morrison

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  • Interior from stage corner 001

    CGI by Allies & Morrison

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  • Interior from Upper Gallery 002

    CGI by Allies & Morrison

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  • Piazza Level of new Foyer 006

    CGI by Allies & Morrison

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  • The Sam Wanamaker Theatre Press Launch 001

    Hannah Yates

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